Last year we saw Mickey Mouse going public domain and now every year more and more talkie movies are going public domain too. The talkies began in 1928, and I would say they got very close to what we have today in about 1934 or 35.
That means that every year people will have hundreds of “new” releases on public domain, making paying for watching new movies unnecessary. One thing is preferring the new movies when you have to pay both for new and old movies. Another thing is paying for new films when you have hundreds of old movies as good as the new ones (or better) for free.
I don’t know about you, but I could spend the rest of my life watching public domain classics, no problem. For instance, I read a dozen books last year, only two of them were less than a 100 years old.
I would say Hollywood is in a pinch right now, something that will make them miss the days when their biggest enemy was piracy.
OP that’s a killer list of books you’ve read. IMO you have a point. To all the people who say that you’d be alienated from watching old movies, that method acting is important and that special effects of the last 20 years are what makes it different, idk. It really depends on what you’re looking for.
Hitchcock movies or the stuff with Humphrey Bogart, Marlon Brando, even the super racist Italo Western movies, the very old Kubrick stuff, that’s all great cinema.
I’m as left wing as it gets but I also get very alienated by the “diversity” and “feminism“ modern Hollywood & Netflix cinema. It’s the same type of diversity and feminism that exists in corporate, where there is diversity in terms of ethnicity and sexuality, but only within class. It’s a fictional world to me the same way the old movies are, just done by a different bunch of people living in their own world.
There’s still some good cinema and good shows out there every now and then, but to think old movies can’t compete with modern TV & cinema just because they’re old is a very simplistic take.
Are you talking about Rainbow Capitalism?