![[DISCUSSION] Foundation S02E06 - Why the Gods Made Wine (Spoilers)](https://flxt.tmsimg.com/assets/p20232643_b_h8_ac.jpg){kind=link}
Premise:
Day and Queen Sareth make an announcement. Tellem sows seeds of distrust between Gaal and Hari. Hober Mallow reaches his destination.
Directors:
Alex Graves
Writers:
David S. Goyer, Josh Friedman
| EPISODE | RELEASE DATE |
|---|---|
| S02E06 - Why the Gods Made Wine | Aug 18th, 2023 on Apple TV+ |
How is the TV series compared to the books?
Barely connected.
I personally advise you to hold off starting till maybe this season finale, or just do the seasons in a binge.
The beginnings of the seasons seem really, really bad, borderline unwatchable at times, then somehow turn on a dime to pretty cool sci-fi.
Hm, I thought the beginning of S2 was really quite good.
The first 2 episodes on an unpopulated water planet where they’re hanging out on a magic wooden raft that’s somehow survived a century of megahurricanes?
The magic pixie dream girl who is all-knowing yet constantly indecisive and neurotic, having to be calmed down and cared-for by her actually functional daughter?
Don’t get me wrong, outside of Gaal the other plots weren’t that bad, but she was the worst part of s1 and like I said the story got pretty good once she was no longer part of it.
Needs more poly and constance, they’re fun.
The secret to watching Foundation is to fast forward anything that isn’t Empire.
… I mean… you’re not wrong.
I actually don’t mind salvor, she’s… interesting, at least when her idiot mom isn’t around.
Just wish she wasn’t as passive, Gaal is somehow the leader even though she has 0 fucking clue what she’s doing or where she’s going, and is in a panic most of the time.
Her best idea this season so far has been “I don’t know what we should do next, I got it, Dr. Seldon, you need to choke me, and keep choking me until I pass out… no, it’s OK, I don’t need a safe word… daddy.”
They’re very different animals. The series basically takes the books as a setting and a very general overall story structure, along with a few key characters, and the rest is spinning out very differently. And that’s okay, because trying to do a 1:1 translation to the screen would not work at all.
Asimov was more interested in the big ideas than he was in the emotional lives of the characters, and this show is conversely more invested in the ways these situations affect its characters than to spending too much time on the big crazy sci-fi concepts which serve as its backdrop.