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Joined 3 months ago
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Cake day: December 29th, 2024

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  • It’s always so strange to me that there are people like yourself who go out of your way to defend (by way of “iNnOcEnT uNtIL pRoVeN GuIlTy” spam) these questionable figures from very serious allegations. It’s such a strange hill to die on. If you actually believe in this concept as much as you claim, the sensible thing to do would be to shut the fuck up and let the legal system resolve the issue, not go around trying to police what everyone else says about the accused online.




  • I don’t think it matters either way, though I prefer Garden of Words. I think an appreciation for the differences probably depends a bit on the age of the viewer, since Garden of Words is really dealing with the complexity and isolation of adult life. If you are in your 20s or younger, you might not fully understand or appreciate those themes yet. Your Name is more fantastical in that sense; it has a streak of hope and wonder running through it that younger audiences can connect with.



  • I haven’t actually seen Suzume yet so maybe I’ll end up agreeing with you. I’m not sure if you’ve seen ‘The Garden of Words’ but that is possibly my favourite from him, despite being very short. Maybe that’s part of the reason why it was so impactful - the shortened runtime cuts out a lot of the more distracting plot elements found in his other films and leaves you with a very distilled and pure Shinkai film.


  • Ilandar@lemm.eetoAndroid@lemdro.idSamsung Galaxy A26 review
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    17 hours ago

    Not really sure why Samsung has started returning to that style of camera module on their newest phones. It isn’t old enough to have any kind of nostalgia value and still looks dated to me. Maybe that’s the point and they have decided their high end phones need to be more visibly distinct from the rest of the lineup? Or maybe they are trying to copy Apple again? Sony are the only manufacturer I can think of that retained this design consistently and they are a bit of an outlier since they often ignore industry trends.





  • I watched ‘Mother, Couch’ (2023). It starts off as a typical dry and quirky (in that indie film festival kind of way) comedy but becomes something quite serious and contemplative by the end. It is very open-ended by design, which I think put a lot of people off based on their reviews. It’s also not funny in a mainstream laugh-out-loud comedy film kind of way, so I think that’s another reason why audiences were so split over it. I think it’s quite a good film though, definitely worth watching considering its short runtime.


  • Makoto Shinkai films are much more about the overall experience, rather than the details I think. They always have this very strong bittersweet/poignant element running through everything (visuals, music, story) that leaves me with this very odd feeling afterwards. Japanese cinema in particular has this wonderful ability to subtly convey very complex emotions to the viewer so that you get to the end of a film and realise you have tears in your eyes without really understanding how or why they got there.