This might be fairly old-school but I gotta have the NERDTree in plain Vim.

A little excerpt from my current manuscript:

The largest and flattest island, which was home to the City of Strangleroot, was blocked by these outer islands, so Fenicia could not see it. […] The entire region had an unfairly negative reputation, on account of the strangleroot vine being popularly recognized as the ideal material to fashion a garrotte. Of course the vine had dozens or even hundreds of uses beyond choking animals to death, but the City’s inhabitants were uncomfortable enough to start the petition to change its name to “Tangletown.” The measure was actually gaining traction, which Fenicia found preposterous.

If there’s only one sign that I’m actually a greymuzzle, let it be the fact that I barely kept up with Pokémon beyond Gen 1, heh. Gen 1 is the only gen as far as I’m concerned!

Lapras and Rapidash were my faves. I also rather like Cubone/Marowak.

Pokémon Red on the Game Boy was my first game! Actually I played it on the Game Boy Pocket and then the Game Boy Color. I remember getting super excited about Pokémon Snap on the N64.

Now that I think about it, maybe I liked Calvin & Hobbes because so much even when I was younger because I found it so validating. It’s a nerdy and highly relatable journey but with a TON of heart. I might have found a little bit of myself in Calvin and Hobbes themselves, too, heh.

But that’s the beautiful thing about art, isn’t it? Art is forgiving, and it rewards experimentation.

“Messy?” – sure, maybe, I dunno. But definitely assertive and deliberate, and kinda fierce! I like it

Aha, I see that now, too.

My thought exactly – why not contribute to OpenStreetMap?

Root appeals to me very much, I would love to play it someday.

Aha, okay. The “true bat” versus, uh, “gargoyle” distinction, heh.

One of the very first conceptions of Azuaveria was “the beach episode of Redwall in an urban setting.” So I imagined a sort of tropical-punk with a furry reimagining of the romantic aspects of San Francisco. As I’ve built up the world, it’s taken on a slightly different character, but that core attitude is still intact, I think.

Azuaveria is much more bright than dark. I hope readers think of Makoto Shinkai’s blue skies with enormous white clouds. The weather is actually pretty good almost all the time, but because this universe takes place in the eye of a gigantic hurricane (!) there is danger and peril if you seek it. The edges of the Storm Wall are way beyond the horizon for almost all denizens, though, so it’s easy to ignore. Nobeast WANTS to stay so close to the edge.

I’ve introduced a lot of mythology to the world over the years. Different cultures have different explanations for why the world is the way it is. But the main thing I focus on, as an author, is diversity. There are lots of different species, different walks of life, and as a result, different explanations for things. I’ve introduced more political intrigue over the years, as well. Hopefully this gives the world more nuance, and a more adult target audience, but the bright and sunny vibe is what prevails.

What do you mean “give them back wings” ? Do bats in your world… not have wings?

I guess the major difference between your world and my world is that you’ve introduced the idea of ‘evolution’. I know evolution is a scientific reality but in my world, there’s no need to explain why bat-people exist. They exist for the same reason any other species exists.

In my world, bats are a bit of an oddity (for lack of a better term) because they are more bat-like than they are human-like. They lead different lives from almost every other species to accommodate their unique anatomy. They’ve built different spaces and forged different kinds of tools for themselves to better suit themselves. And it’s fine because my world is a very diverse place.

The “hands” of bats in this world are smaller but can still hold things and manipulate objects (but not while flying). The feet are much more versatile and can carry things even while flying (requires more energy to remain airborne, though).

Classic

I rather like my NUC. I trust that Asus will do some neat things with the concept

Heh, I consistently forget that Goofy is a dog. Maybe I do this willingly to avoid having to think about the Goofy/Pluto conundrum, haha.

If someone finds themselves wanting what LLVM does, but doesn’t want to link against LLVM (which is fair) then I might point them to QBE https://c9x.me/compile/

My fursona was never trans, but she was always a girl. She represented the ideal version of myself, who turned out to also be a girl, heh.

Her species has changed, though. Originally she was just a dog of some sort. Then at some point I decided I wasn’t afraid to break the mold a little bit, and now she’s a zebra. That species change DOES coincide with my own gender identity journey, though.

(To be clear, I’ve just retconned Hanalei into being a zebra the whole time – it is not the case that Hanalei herself was originally a dog (*) who transitioned into a zebra, haha)

(*) ADAB: Assigned Dog At Birth?

I’ve been saying “Paw bee” in my head

Honestly, the real appeal of Disney+ as far as I’m concerned is the ability to watch all these old TV shows. We didn’t have cable for most of my childhood, and I missed the 80’s/very early 90s of animation.

One of the first things I did with my Disney+ subscription was to watch TaleSpin for the first time. It’s a fun show! I had always planned to introduce myself to Darkwing Duck before long.

Heh, I must not be that old, I only recognize a pawful of these things.

For me, there were several separate threads that all came together at one point.

In middle school, I was envious of my friends’ artistic abilities and I resolved to get better at drawing. This was during the heyday of DeviantArt and so I made an account and followed my friends. Traversing through people’s profiles and what they liked, just randomly surfing, I discovered the work of Melissa O’Brien (“Frisket17”) and I fell in love with their entire oeuvre.

Then I realized why I was so in love with her work specifically: for the first time, I saw depictions that closely resembled the world that I had built in my head – a sort of sunny, tropical spinoff of Redwall. And then I was like, oh my god, it’s not just me! I’m not the only one who wants to see this sort of thing. I wanted The Lion King but in a city. I wanted the beach episode of Redwall. I finally had a word for it: I wanted furry. And it turns out I could draw these characters, too – I could flesh out my own world AND get better at art. Win!

I didn’t realize it at the time, but the reason I had created my own world in the first place is because I desperately wanted an escape from my real life woes about gender identity and my sexuality. I learned through anthro art the relationship between the furry fan and their fursona, and I was like, “I want one, too.” I REALLY liked the idea of being a person, but WITHOUT the BS human limitations that were contributing to my gender dysphoria.

So, I guess I stumbled upon the fandom initially because I wanted to get better at art, but the reason I stuck around is because it offered a safe space for me to explore identity. That was the real awakening.