I agree it’s overused for the average episode of Trek, but if we accept that they’re doing a Section 31 movie, what’s the point of a low-stakes feature film (even a streaming film), especially one centered around Section 31?
Also worth noting that the article describes it as “Big stakes emotionally, big stakes for the characters in our story”, so the “stakes” are referring at least in part to character stakes, not necessarily universe-ending stakes. (Though I admit in practice it will probably be both.)
Westlake is great, but so is Nami Melumad (who does the music for Strange New Worlds and Prodigy), so I’m absolutely not behind a call to have her fired, whether that call is meant to be tongue-in-cheek or not.