Imagine the emotional and physical damage of taking your first shit in thousands of years.

21 people sharing 2 toilets?

It can still be utopian and aspirational without every character being those things. The same way you could have a show where you explore the concept of Justice by having a profoundly unjust main character. Or a show about Sin with a righteous main character. Sometimes you explore a theme by demonstration, sometimes by contrast.

Ohhhh, ok, we are talking about entirely different episodes. I thought you were misquoting “Erase that entire personal log” from In The Pale Moonlight. Yeah, the one where he gasses a planet is not the best.

I mean, like what you like. I think you can still have utopian fiction that explores when characters fall short of their utopian ideals, or the boundaries of a utopia, or the shortcomings of a particular form of utopianism. It helps us understand that it’s not magic, it doesn’t just happen, it’s what could be, if real people all worked very hard against the systems and people preventing it.

And I’m not a space lawyer but I think technically Sisko doesn’t do any war crimes in that episode, he’s just accessory to 2 normie murders.

Why? It’s widely considered the best episode of ds9.

To be fair, did any of us have great social skills for the first decade or two after activation?

DMing has helped practice a lot of business skills…communication, organization, running a meeting. Making pretty documents in google docs :P

Humans are the real space orcs

Hm. Well, don’t feel obliged to hew to existing genre definitions.

Also, I’d still urge you to sit down and make a list of design goals, eg what you like about the experience of playing war games or ttrpgs, and then make rules to match, rather than starting with making the rules or choosing which ones to duplicate from existing games.

The bribe was the settlement payout. The censorship is just a bonus.

I think it’s a false dichotomy. You want to decide what your design goals are, the kind of vibe you’re trying to generate, and then create systems that support that vibe.

No one actually plays dnd like that though…

Throw in the episode where they go back to 90s California too, call it Hella Voyager

You could stick it in the middle somewhere. A side story we didn’t see on screen. Or, they could remake Year of Hell or something.

Given what Mountain Dew has done to me, that tracks.

Jokes on you, we play every rpg!

Bards aren’t just “a talented musician” they literally use magic. They’re basically wizards that went the liberal arts path in college.

Yeah, in that case I think you did everything that could reasonably be expected of you.

A war could always just end by the bad guy (from your perspective) winning decisively.